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A sketch of Claude Hall, 
circa 1976, by
Chuck Blore
www.chuckblore.com

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Claude Hall

 




"Snake and the Spider Lady"


Chapter Nineteen of a novel
by Claude Hall

Rain fell like a madman.  The drops were large and
they attacked both the body and the mind.  You became
instantly drenched.  And you drifted into a foul mood.

Snake felt depressed and not just because of the rain.
 It was not supposed to be this way.  A real warrior
went to combat on a beautiful morning on a hill in
clear view of a worshipping multitude.  Your opponent
was a vicious-looking person who snarled and grunted
like some kind of horrible beast.  A real hero never
fought a woman!

The sun would be shining.  There would be a slight,
cooling breeze.  Somewhere just out of view, a bird
sang lifting, spirited ballads of heroes beating
desperate villains in torrid battle.

Everything should have been valiant and glorious!

Instead, it rained horribly in dark gray shadows that
walked across the hotel roof.  And the chill ate into
you.

After a while, he had grown stiff and got up to stroll
about.

Just as he turned left at the edge of the roof by a
small waist-high wall, he thought he saw someone move
off to the left.  He leaped to the right, dropping
instantly to his knees, a throwing knife in his hand.

But no one was behind a low skylight when he looked.

Keeping low, he ran to the other side of the roof,
slipping on the slick surface of the roof, catching
himself in time before falling, running on.  He found
no one.

After a few minutes, he put the razor-sharp German
knife away and returned to the stiff-backed folding
chair in the center of the roof.

He stayed alert, but it was obvious to him that the
Spider Lady was not going to appear.  Quite frankly,
he had not really expected her to come.  But word
would get back to her about the posters plastered
around Manhattan--maybe she'd even see one
herself--and grow, perhaps, a little concerned at
missing an opportunity to kill him.  Or talk to him.

The posters had been excellent.  Wekser had them
printed in two colors, one a florescent orange that
immediately drew your eyes to it.  And Montague, true
to his word, had done a superb job of distribution. 
Some of the members of the gangs that roamed the north
end of Central Park, now participating in the coming
basketball tournament, had helped.

The meeting with the gang members a couple of days ago
had been touch and go for a few minutes.  Unwilling to
lie, Snake had admitted that he'd never met Michael
Jordon.

"And you're going to get him to come to the playoff
game of the tournament?"

"I can't even guarantee that," Snake had said. 
"Michael Jordan is a very busy man."

"Hey, he's a brother, ain't he?"

"He has a lot of brothers," Snake had said.

A debate quickly erupted.  Among the terms thrown
about were "screw that shuck and jive!" and "Reeboks."
 Eventually, Reeboks won by a nose.  But there were
enormous compromises--all with considerable
argument--worked out between King and two of the gang
leaders.  A "board of directors" was formed. 
"Members" to this board were named, even though some
of them weren't present at the time.

Snake had stayed out of the planning.  In fact, he'd
gone over to watch Montague play one-on-one with an
11-year-old wearing a Knick tee-shirt.

"Finally found someone you could beat, huh?"

"Hey, this guy is good.  You want to try him on?"

"Not me," said Snake.  "I know when I'm outclassed."

When the arguments finally eased off between King and
the others, King dropped into step beside Snake.  They
left Montague behind.  He was still trying to beat the
11-year-old.  Two members of the gang were now helping
him.  All to little effect.  The kid was giving all
three of them fits.

"Good job," Snake told King.

"It's going to work out, I think," King said.  "Not an
easy situation, talking to those guys.  Last time we
met, it was with chains and knives."

"A basketball sounds like a better weapon to me," said
Snake.

"Convincing them of that was the problem."

Snake had then discussed "the arrangements" for the
Saturday night party.

"Ice?  Champagne?"

"Let Neva do those trivial things.  I have something
more important I need done.  But it's pretty dangerous
and if you don't want to do it, I'll understand."

"Dangerous?  And I just talked the Legionnaires'
Disease into a basketball game.  Hey, the Spider Lady
will be a piece of cake compared to those guys."

Quietly, as they walked, Snake told him what he needed
and how to do it.

"What about Thursday and Friday nights?"

"Nothing.  I'd be very surprised if someone shows up. 
I'm fairly confident that won't happen."

And, except for the faintest shadow, nothing had
happened.

For two days, Snake rested at King's "hideyhole."  He
slept in a sleeping bag in the corner of the bicycle
shop out of view behind a counter.  During the day, he
read the rest of "Dune" and King brought him a mystery
novel by Bill Moody called "Solo Hand."

It did no good to protest that he wasn't really a
mystery fan.  King told him, "You'll like this one."

And he had.  Moody involved jazz music and musicians
in his story line.  The novel was interesting and
pleasant reading.

But after a couple of days of eating Pearl's cooking
and relaxing, he had become extremely bored.  Worse,
he knew that he was growing fond of being lazy; it was
addictive.  For much too long, his life has operated
at a torrid pace.  It was impossible to slow it down
for more than a brief period--perhaps an hour or
two--without it falling completely to a standstill. 
Once at a standstill, he was afraid it would be
difficult to get back into gear.

Thus, he was relieved when Thursday finally arrived.

And not unhappy that it rained all day and was still
raining that evening when he left Pearl's apartment
and took a taxi to the Brooklyn Bridge.

The bridge was one of the great wonders of the world
when it was constructed and linked two different
worlds--Brooklyn and Manhattan.  It had become a
worldwide joke, "sold" over and over to rubes around
the world.

These days, however, the bridge showed its age.  It
creaked in the wind.  Rust fought against the flecked
paint on the higher trusses.  And the stones on some
of the pillars, a sign of its ancient design, wore
moss in deep places.  The rain and the night obscured
most of its higher reaches.

But when the taxi stopped and he crawled out, wearing
a Knicks cap that King had loaned him, Snake found
himself paying tribute to the ancient structure.  To
him, the bridge represented a different time, a
different world when life seemed to lack the
complexities that it did these days.  A time when kids
walked carefree on sidewalks shaded by beautiful green
trees and were concerned more with their choice of ice
cream cones than whether an Uzi was a better weapon
than an AK 47.  He stood and admired the amazing
architecture, unique for its day, for several minutes
before turning sadly and walking west. 

Half an hour later, he hesitated on a distant corner a
block away from the Bonsoir d'Jour.  Already, he was
soaked.

The building was only 11 stories tall.  Like the
distant bridge, it had been constructed of stone in a
different time.  Ornate gingerbread flared from below
the roof around the sides of the building.  The
windows were all framed with sculptured stonework. 
And, like the bridge, time had not been kind.  Wind
and ice and rain, like the rain that fell at the
moment, had slowly chipped away at the building.  Age
had changed the stone from brown to mottled gray as if
it had been attacked by some strange disease.

Light from a streetlight flickered mysteriously across
the rain-swept pavement.  Down the street, several
people, hidden underneath umbrellas, hurried somewhere
else.

A car passed, the tires throwing a wide spray of water
from a puddle toward Snake.  He stepped back, dodging
most of the water.  Then he walked quickly across the
street and entered the hotel.

The clerk behind the counter didn't even look up as
Snake crossed the lobby and stepped into the
self-operated elevator.  Had he moved, he might have
regretted it.  Snake was prepared.  A throwing knife
was hidden in his hand at his side.

The normal way to throw a knife is the same as
throwing a baseball or a rock--overhand.  You lean
into the throw and follow through.  A good baseball
pitcher can ordinarily throw a fastball somewhere
around 90 miles per hour.  A good knife thrower can
drive the point of a knife through a board an inch
thick or bury it up to the haft in the body of a man.

Tossing a knife underhand is not the best method
because you can't put much force into the throw.  Nor
accuracy.  Snake had worked for years to become as
effective as possible with the technique simply
because of the element of surprise that it offered. 
The intended victim didn't expect you to throw a knife
 when your hand was at your side.  So, the clerk was
relatively safe even if he'd reached for a gun.  The
chance of Snake hitting him in the throat, his primary
target, with the knife was less than 20 percent.

The knife, however, would have bought Snake a few
seconds of time in which to leap over the counter at
the clerk and attacked him hand to hand.

The clerk never raised his head.

The elevator creaked and groaned with terribly
slowness up to the 11th floor.  From there, Snake
found the stairs to the roof.

The door at the top of the stairs latched from the
inside.  But King had accomplished one of the several
tasks that Snake had asked.  The latch had been
rendered ineffective.  The door moved easily open an
inch or so when Snake pushed.  There was no noise.

For a long time, Snake waited.  If she had been out
there on the roof already--and he was prepared for
that--she would have let off a few rounds into the
door when it swayed outward.  The door was an old
wooden door.  It wouldn't have even slowed down a
bullet.

He eased the door out just a little further and
slipped sideways through and to the side of the small
structure, half expecting a hail of bullets to greet
him.

The roof was vacant.  He sensed it even before he
could check it out.  It wasn't the silence, for the
rain beat like a hundred tiny drums on the surface of
the tarred roof.  It was a feeling in his fingers. 
Years ago, he'd discovered that he possessed a very
unusual talent: He could sense a crook.  His fingers,
for some weird reason, felt greasy every time he was
around someone of disrepute.  He had felt it the other
day in Caraboo's limousine.  And in the hospital
lobby.

After strolling around for a few minutes, Snake had
picked up the card table and unfolded it and set it up
near the center of the roof.  He'd also set up the two
chairs that Neva had provided.  The champagne, as
requested, was cheap enough.  The Fritos, still
unopened, had been placed by the bottle of champagne. 
Because of Pearl's lavish cooking, he wasn't hungry. 
The Fritos had been a joke anyway.

Now that he thought about it, what possible humor
could be found in a bag of Fritos?

He sat down in one of the chairs, arms folded,
waiting.

A couple of hours later, just a few minutes after
midnight, he'd got up and walked about and that's when
he thought he'd seen the movement off to his left and
had drawn his throwing knife.

When his search turned up nothing more dangerous than
the possibility of catching a bad cold, he'd returned
to the chair at the table and sat there for a few
minutes more before deciding only a masochist would
stay out in a chilling rain in the dark like this. 
The rain, anyway, was whipping under his cap and
smearing his glasses.  He wouldn't be able to see an
enemy even if one walked up and sat down across the
table.

He went down to the street, handed the bottle of
champagne to a man huddled in a doorway, and caught a
taxi.  At Grand Central, he opened his locker, took
out his suit, and changed in the men's room.  He wrung
out his shirt, his blue jeans, his jacket and hung
them up in his locker, hoping them would dry out.

A few minutes later, a taxi let him out at the
Waldorf-Astoria.  "They" were pleased to see "Mr.
Williams" again.  He wondered if "they" would have
been as eager to see him in his other clothes. In his
suite, he ordered breakfast and after eating went to
bed and slept until late afternoon.

The next night on the roof was more interesting, but
not very much.  First, it did not rain, so it was more
comfortable.  Second, he had visitors.  However, they
were quite dull.

They seemed puzzled to find him sitting in a chair in
the middle of the roof.  As if they had expected
something else entirely.

He was embarrassed about the situation.  Instead of
pulling his knife or another weapon, he merely clunked
their heads together, knocking them both out.  He left
them leaning against each other.

It was all too easy.

No one else showed up.  He waited for perhaps a couple
of hours before giving up.

Another bottle of cheap champagne had been there,
along with the bag of Fritos.

He handed the Fritos and the champagne to the same
person.  The man was still huddled in the doorway down
the street from the hotel.

"Thanks," said the man.

This time, Snake didn't bother to change clothes, but
went to his suite in the Waldorf-Astoria and went to
bed without even bothering to have breakfast.  This
time "they" hadn't been so "very happy" to see him. 
However, he'd reserved the room for two nights.

When he woke up, he showered and dressed.  His beard
looked quite ragged in the bathroom mirror, but he
thought there was a certain glamour associated with a
beard like that.

Breakfast, delivered by room service on his order, was
eggs benedict, tomato juice, coffee, hash browns.

The condemned man ate a good breakfast, was the
thought that flashed across his mind as he ate.

Afterwards, he checked his various "weapons."  
Everything seemed to be in order.

Later, he stopped by a travel agency and bought cruise
tickets and had them delivered to Pearl's address.

It was by now late afternoon.  A taxi let him out a
block away from the Bonsoir d'Jour Hotel.

He noticed the bum sitting in the same doorway,
leaning against the wall, and waved as he passed. The
bum didn't wave back.  The reason was soon obvious. 
Dead.  No marks.  The champagne bottle was at his
side, one hand still wrapped around the neck of the
bottle.

This part of lower Manhattan is a cemetery of
abandoned cars, abandoned buildings, and abandoned
people.  Obviously, no one had discovered the body yet
or they had discovered the body and not done anything
about it, waiting on someone else to take care of the
problem.

The grimace around the man's mouth bothered Snake.  He
picked up the bottle from the man's lifeless hand and
put his thumb over the opening and shook it once.  He
touched his tongue to his thumb.  It was not just
cheap champagne.  Someone had laced the champagne with
poison.  Arsenic, maybe.  He didn't know much about
such things.  He considered poison a despicable method
of combat.

Snake felt a chill along his back!

The man's death was an accident.  Someone had
obviously expected Snake to take a drink from the
bottle.  Someone who didn't know he didn't drink.

Also, that completely screwed up a theory that he'd
been developing in the back of his mind.  Because all
of the suspects evidently had access to his file and
knew that he didn't drink!

The first two parties had turned out almost exactly as
expected, with the exception, of course, of the dead
man leaning against the side of the doorway.  The
"parties," of course, were research.  True, they were
research of an unusual nature, designed to prove his
theory.

The death of the man in front of him, however, tended
to offer conclusive proof that his theory was on shaky
ground and his "research" was merely the bizarre
thinking of a man driven to extremes by the Spider
Lady.

If he'd actually seen someone in the rain that first
night, someone drawn by the posters distributed by
Montague and various gang members, then his research
had already proved at least one thing.  Just precisely
what that conclusion was, he didn't quite know.  His
trouble at the moment was that the death of the man in
the doorway had confused him.  On one hand, he felt
sad that someone entirely innocent had died because of
his carelessness.  On the other hand, he was irritated
at his inability to think clearly; anyone should have
been able to assume that the Spider Lady would have
tried something more serious than just sending a
couple of chowder heads at him!  He now realized that
they had walked onto the roof in a casual manner; they
hadn't even known he was there and probably not even
the reason they'd been sent up to the roof in the
first place!

He turned and stared at the Bonsoir d'Jour down the
street.  Off beyond the building, the moon hung in the
sky like a searchlight.  It threw this side of the
hotel building into darkness.  In the gloom, it
resembled a haunted house more than a hotel.

Snake felt a horrible reluctance to walk down there
and go inside.

The things he'd hoped to discover from the three
parties now seem so futile and senseless, the
blundering of a fool.

However, it was too late now.

This was one research project that was like the
proverbial snowball rolling downhill:  Don't get in
the way!

Like a man marching to the gallows, he walked across
the street and down to the Bonsoir d'Jour and went
inside.

(continued next week)

e-mail  claude@claudehallonline.com

 


December 27, 2004

Commentary
by Claude Hall

I hope your holidays have been at least pleasant, if
not absolutely sensational.  An old friend called a
few days ago.  His wife needed a pacemaker installed.
Whether God rules or nature rules, health waits for no
one.  Christmas or not.  I have heard that Jackie is
now at home.  I said a prayer for her.  Many times,
I've found, this is all I can do.  And more and more,
this is so.  Many of you who read this know this
friend; he has been a friend to many in radio.  And
still is.  In these trying times, it is good to have
such a friend.  I'd like you...I'd like him...to know
that I'm grateful for his friendship of somewhat more
than 40 years.  And yet left somewhat sad that not
everyone had a good Christmas this year.

My three boys--John, Darryl, and Andy--were home for
the holidays.  My brother Buddy and his wife Maudell
flew in from Houston.  My brother-in-law Richard
Schwartz was here.  Christmas was bright.

Christmas, to me, has always been a good time for
reflection.  For friends.  For family.  I redesign the
world in my mind and make it correct and make it
better.  But, of course, because I am not God, the
world stays the same.  What a pity that this is so.
For although I'm indeed grateful for my own bright
Christmas, I mourn the fact that so many others in
this world are not doing well.  Where is the
compassion of yesterday?  Without compassion for our
fellow human being, we fall short of being a human
being ourselves.

I've just read an item in Tom Noonan's newsletter,
tenoon8@aol.com, that mentioned the charity efforts of
Don Whittemore, a former record promotion person who
now owns and operates Dandy Don Ice Cream in Los
Angeles.  Good on you, Don.  We need more Don
Whittemores in this world.  We definitely need more
compassion as well as a better quality of passion.

The Hunter Research Technique
Locating the power structure in a community,
organization, or industry is not an easy task. For our
purpose, power is the ability or indirect authority to
cause others to do what we want them to do, think, or
believe as we want them to believe.

Attitudinal engineering is the use of persuasion,
often without the specific awareness of a specific
target audience, to get people to act, think, or feel
in a specific manner. And, of course, if one can
influence or persuade people of power, so much the
better because of their tendency to influence and/or
control so many other people and situations. To some
extent, though the use of peer pressure.  In fact,
devotion of attention on these power people may
sometimes be extremely vital for the success of a
public relations project or campaign.  Just FYI, peer
pressure, with all of its potential for good, has oft
been one of the most deadly weapons in operation in
America.  A much better human being results when you
know peer pressure is being used against you and can
make a rational decision to be affected or not.

Thus, the ability to locate the right people of power
is essential. Not all of them may be visible in the
community.

Fortunately, there is a scientific method for
pinpointing these people.

In 1953, a sociologist named Floyd Hunter published a
report about something he'd discovered regarding
Atlanta: That only a few persons were actually making
the decisions for the entire city. This ruling elite
group, the power people, was not only isolated from
the ordinary people in the community, but often in
some instances tended "to act on policy matters
without regard for various community groups." This
power body was able to enforce its decisions by
persuasion, coercion, intimidation, and even force.

To find out who these power people were, Hunter used
what is now called a "reputational
information-gathering technique."

The methodology used was this:
First, he identified persons who were involved in
community activities--the school board members,
members of the Chamber of Commerce, the mayor, civic
organization leaders, club leaders. These people
provided lists of other prominent in economics,
education, and religion, as well as the names of
wealthy and socially prominent people.

Second, he presented the lists of names to a panel of
14 judges comprised of representatives of different
religions, various ages, different racial groups, both
sexes. This panel jelled the list down to 40
people--10 in society, 10 in politics, 10 in
economics, 10 in community affairs.

Third, he interviewed each of the 40 people. These
were long, extensive interviews. Among the questions
asked were their opinion on who the first
most-powerful persons were on the list. Also discussed
were community issues and decisions, their
participation, the participation of others,
friendships with various leaders, business ties,
kinship patterns, etc.

Fourth, Hunter arrived at a monolithic power pyramid
structure. Comprising this power pyramid of people
were the leading influential businessmen,
professionals, and politicians.

There are, most certainly, other research
methodologies for locating the important people in a
community or industry.  Some would even disclaim the
effectiveness of the Hunter technique...claim that
instead of a power pyramid, there may be separate and
distinct power groups in a given community. Certainly,
if you found five important and powerful people in a
specific community, they are each going to have their
little "armies."  That, in the final picture, is to
your advantage regarding the diffusion of information
and/or influencing. In the business of attitude
engineering, knowledge--and especially knowledge of
and about people--is one of the major ammunitions of
your trade.

Focus groups are sometimes used today; the term has
become a buzzword.  Rule of thumb: Beware of
buzzwords. Could you find, for example, the most
influential people in a factory through focus group
research techniques? Maybe.  More than likely not.

Regardless, the Hunter research technique mentioned
here might be adaptable for any research project
involving a specific public, community, or industry
and could suit your purpose.

What you may need to do at some point is discover:
1. The people who have the ability to create or add to
a problem if something goes amiss.

2. The people who have the ability to influence others
(i.e., the two-step Katz-Lazerfeld theory of
communication flow).

3. The people to whom personal and institutional
bonding might prove beneficial at some unknown future
time.

The capable attitudinal engineer devotes considerable
attention to these power people. If you can find out
what makes them tick--their personal habits and
hobbies, family matters, likes and dislikes in regards
to politics, religion, food, society in general,
education, sports--you will be better able to do your
job.

Once you have located your power people, these should
certainly be on your mailing list for publicity
releases, personal letters, brochures, etc.  And
lobbying may also be called for from time to time in
given situations.

OTHER MATTERS
Tom Noonan, Los Angeles, Tenoonan8@aol.com: "Column
was great reading.  Let me tip your coat to someone
that I found & like a lot in country--it is Joe
Nichols who has two albums out (and now, I hear, a
Christmas album out).  With his first album, he won
CMA's rookie of the year award.  His voice is great,
sounds like old country (to me). He has a knack of
selecting very good musicians to back him or maybe
that's his band backing him???   At any rate, have not
heard the Christmas album, but the other two albums
are really great.  Take a listen and see.  Take care &
have a great holiday season."

Sonny Melendrez, San Antonio, SonnyRadio@aol.com:
"There is another phenomenon going on in today's
entertainment. I call it 'Timeless Consumption'. It
encompasses all forms of entertainment and information
that is timeless in it's appeal. The key is how and
when it is presented. For example, a song by Nat King
Cole might not appeal to a 25 year old unless it
happens to come at just the right moment in a scene
with Tom Hanks and Meg Ryan in 'You've Got Mail'. The
same goes for television shows and commercials that
use this timeless approach.  The events of 9-11 has
had a tremendous effect on radio's economy. Perhaps a
more important change is the effect it has had on what
listeners are looking for in how radio makes them
feel. We've all gone through a priority check since
that day.   With all this in mind, I have developed a
format/show that focuses on using radio to make
listeners feel a little better about being alive. The
music, features, information, and personality of the
show is designed to appeal to several generations. 
If you think that's impossible, you can listen to a
sample at www.SonnyRadio.com and decide for yourself.
(The direct link to the audio clip is:
www.SonnyRadio.com/SonnyRadio888.wma )   Claude, you
might say I've spent the last 30 years preparing for
this program. My goal in 2005 is to present it
nationally. Radio will always be a part of our lives.
How listeners use it will depend largely on where we
take them when they grace us with their precious time.
 Produce it and they will come.  Enthusiastically!"

Jim Rose, Houston, rosekkkj@earthlink.netL "Enjoyed
reading your Commentary about radio, deejays and those
in the industry every week, as well as VOX JOX when it
was the hot commodity in Billboard.  The black
deejay item you had caught my eye. When I was growing
up in Dallas, radio and music captured my heart at an
early age. Of course, KLIF was the only real radio
station, but was curious as to what was on the other
stations on the dial. KYOK AM in Ft. Worth had an
interesting deejay who called himself The Mad Lad,
REUBEN T. WASHINGTON. Pretty cool dude with
a smooth jive talkin' approach.  Never dreamed I
would also be on the radio, much less in my home town,
Dallas. Well, when KXOL was still Top 40 (1975), we
had The Mad Lad on our all night show! KXOL switched
to Country (1976). He and his wife, who he called
"poopsie" on the air, moved to Houston. I sailed to
Beaumont (1977), then to Houston (1978) to KIKK FM,
KNUZ, KILT FM, KULF and others. We kept in touch.
REUBEN got on as a deejay at KCOH AM, which was an old
time Houston black station with white owners. He
invited me down to the studios one day. Then, REUBEN
got out of radio. He told me that he never airchecked
himself, so he had no tape to use to get another radio
deejay position. He asked me if I would help him make
one. Never turned down anything to help a friend. He
drove us in his Lincoln Continental with dark
windows to the radio station where I was a deejay so
he could put together an audition tape. REUBEN never
got back into radio.  Around 1979, REUBEN became a
security guard for Texas Instruments way out on the
Southwest Freeway (Highway 59), almost to Sugarland.
There was a fire at his house. Burned up his vast
record collection and destroyed his big Lincoln
motorcar. That is the last that I ever heard of REUBEN
or from him. Wonder whatever happened to him."

I will never forget the day a black jock in
Mississippi named Ray Brown called me to ask if I knew
where any disc jockey jobs were.  He said the station
where he was presently working was switching to a
country music format.  I asked him why didn't he just
stay there and do country.  You can imagine the next
part of the conversation, but I suppose I convinced
him for he stayed with the station and did country and
I later heard that he was the No. 1 disc jockey in the
entire town.  I've always like that story.

In my early days with Billboard, I would get a phone
call now and then from a Top 40 disc jockey and his
usual comment was that he guessed he'd have to soon
start hunting for a job with an MOR station because he
was getting close to 30 years of age.

Personally, I've always thought that either age nor
anything else had much to do with being a disc jockey.
 Attitude was the major factor.  A person had a good
attitude about entertaining people, they attracted
listeners.  Regardless.  And, yes, I've always thought
that Montague was absolutely right with his attitude
that listeners could barely wait for the record to end
so they could hear him again.  That same concept
applied to a lot of the disc jockeys I knew in those
days.  William B. Williams, Dan Daniels, Dan Ingram,
Jimmy Rabbitt, Gary Owens...oh, god, the list is
virtually endless.  John R.  Ralph Emery.  Rocky G.
Yes, even Gary Stevens in his day.  I've just listened
to an old Joey Reynolds aircheck when he was on WKBW.
Now there was an entertainer!  Do anything to keep a
listener hooked.

We were fortunate, we who lived and listened in the
days of George Wilson, Georgie Woods, Bill Randle,
Robert W. Morgan, B. Mitch Reed, and the others.
Howard Stern?  A pipsqueak in comparison.

Bill Mouzis, Los Angeles, BMouzis@aol.com, says he has
written an autobiography.  Don't know if he's printed
it yet.  But Bill was there at KHJ when it was one of
the most-exciting and most-copied radio stations in
the world and here's an excerpt that I'm going to take
the liberty of printing:   "Although the KHJ Boss
Radio format lasted until 1980, though greatly
diminished in later years, I have always maintained
that the period of 1965 through 1969, when Ron Jacobs
was the station Program Director, represented the most
successful and creative years of the format. In all
of my years in the broadcast industry, without a doubt
he was the most creative individual I have ever worked
with.  Mr. Jacobs was the catalyst for taking the
station to heights never before achieved, and he was
truly a genius."

As I've mentioned before, I became a Ron Jacobs fan
the minute I heard him talk at a radio conference in
the late 60s.  A genius without question.

Kai Chung, London, h.chung3@ntlworld.com, was
mentioned along with his wife Irene in the diatribe I
wrote regarding an Acapulco cruise a couple of weeks
back.  "Hope this finds you and Barbara well.  Have
just read your commentary of Acapulco and enjoyed it
very much--your writing is sooooo entertaining! And
very expressive!! As soon as time permits, I will be
reading much more.  It was a great pleasure dining
with you and Barbara on the Mercury and hopefully, we
will meet again sometime, somewhere - who knows.
Keep Well, Keep Writing and have a Wonderful Christmas
and a very Happy, Healthy and Prosperous New Year.
Our very best to you both."

 

e-mail  claude@claudehallonline.com 

 

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